Base Metal at Simon Oldfield Gallery: Ryan Leigh, Nicholas Bailey and Sam Knowles

London.- The work of Ryan Leigh, Sam Knowles and Nick Bailey joins a current phenomenon in contemporary art that is marked by its investigation into the means and processes that comprised scientific and theoretical thought in a time before the disintegration of the meta-theory.

Base Metal sees each artist rationalizing his interest and rooting his approach in logic, while using the tools of science and alchemy (or the ideas that frequently frame them) as a means of expression. Gold leaf interventions, everyday and scientific apparatus, and highly finished ‘textbook’ drawings on graph paper that have been fused with contemporary techniques such as digital manipulation dominate: and while the scale of the works may sometimes be small, the idea behind is strong and clearly articulated. This exhibition refers not only to mankind’s need to ‘believe’ in something greater, but also raises questions in regard to his vision of himself and role within the world, while simultaneously offering little solace in the form of a theory or religion to fall back on.

Ryan Leigh (b.1987) is interested in explanations of physical reality and man’s need for an allencompassing ‘theory of everything’. Works such as Cargo Cult (2010) are frequently executed in lead pencil on graph paper. They are intensely detailed, and predominantly question differing means of communication, for instance the ‘documentary’ drawing and how it has been used in scientific or religious contexts to express a given truth. By splicing and cutting the diagrammatic image or juxtaposing and integrating it with other images, photographs or drawings from a different era or series of symbols, Leigh’s work both comments on the relationships within society’s different belief systems, and highlights the futility of the search for an objective truth.

Sam Knowles’ (b.1983) practice deals with metaphysical concerns, and the notion that the world – and man’s existence in it – can be explained in one ‘grand’ theory. It is the gaps left behind by the departure of the meta-theory that form the starting points for many of his works, which are informed by game playing, structures and systems of knowledge. The works exhibited in Base Metal take the form of gold leaf interventions executed on pages taken from old hardback scientific or historical tomes: while Knowles’ input is tied-down by the shape and size of the surfaces on which he is drawing, his transformation of the pages creates a new series of values and meanings.

The sculptures and installations of Nick Bailey (b.1986) play gently on the viewer’s sense of curiosity, softly subverting one’s sense of what is ‘normal’ within everyday objects. Most frequently made from everyday materials such as buttons, handles or hammers, Bailey’s work draws its audience into a questioning of their conventional role in relation with the object set before them. By compelling the viewer to consider on a personal level whether or not it is actually acceptable to physically engage with the work, Bailey’s work inhabits a realm of mild disappointment and anticlimax wherein, upon coming to an understanding of what the physical form of the artwork offers, one is reminded that at best this still only amounts to physical contact with an object or objects.

Simon Oldfield Gallery
In June 2010 Simon Oldfield Gallery opened at their current location at 9 Henrietta Street in Covent Garden, with New Symphony: an ambitious and critically acclaimed exhibition of new works by four of the UK’s leading sculptors, Tim Ellis, Sam Plagerson, Katie Cuddon and Douglas White. Simon Oldfield Gallery use their profit to support charitable organisations such as The Whitechapel Gallery through the patron programme. In addition to the exhibition programme, the gallery also supports emerging artists by providing studio facilities. Simon Oldfield is the founder of The Bloomsbury Studio, which opened in 2008, offering subsidized live/work spaces for young artists. Artist Ben Ashton is currently resident in The Bloomsbury Studio.

Base Metal
Recent exhibitions for Ryan Leigh include the Saatchi 4 New Sensations exhibition at the A Foundation, Total Replay at the Avent Gallery, East Dulwich and Semi at Arts Gallery in Wimbledon, in 2009; Wimbledon College of Art students at Deutsche Post Bank, London; Outbound at the Richter Gallery in Den Helder, Netherlands, and Light and Sea at Windracht 13 Gallery in Den Helder, The Netherlands, in 2008.

Since graduating, Sam Knowles has won 1st Prize at the Pienkow Residency 2010 in Poland. Recent shows include Future Map 2009, thecentre:mk Annual Painting Prize and X Artworks in a Straight Line (Seeking the Perfect Sphere), Crisp London Los Angles. He has recently been selected for New Contemporaries 2010, and will be showing work in the Royal Society with the touring exhibition Beyond Ourselves in the autumn.

Works by Nick Bailey will be included in the forthcoming Bosch Young Talent Show in addition to the 2010 New Contemporaries. He also took part in the Future Map 2009 exhibition in Hoxton Square, London, in addition to Hand or Eye at the Adjacent Gallery, London 2008 and New Artwork at the Et Cetera Gallery, London 2007.

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