Sunday, December 13, 2009

Dazzling Posters By Toulouse-Lautrec & Mucha At Swann Galleries’: December 16, Auction Of Rare & Important Art Nouveau Posters

December 9, 2009 by All Art  
Filed under Art Market, Featured

New York. Swann Galleries’ annual auction of Rare & Important Art Nouveau Posters on Wednesday, December 16, offers 158 lovely fin-de-siècle images from Europe and the United States including works by well-known, unfamiliar, and anonymous designers.

HENRI DE TOULOUSE-LAUTREC (1864-1901) DIVAN JAPONAIS. 1893. 31 1/4x24 1/2 inches, 82x61 cm. Ancourt, Paris.  The Divan Japonais was a small café concert at 75 rue des Martyrs, where Yvette Guilbert began her career. In all senses of the word the Divan Japonais is a seminal poster. This and Lautrec's image of Aristide Bruant outside his cabaret are the artist's best known posters. It is his only poster to show both Jane Avril and Yvette Guilbert, the two Montmartre demimondes who were his friends (and major inspirations.) Jane Avril was the star dancer at the Moulin Rogue. She is pictured here seated next to the literary critic, Edouard Dujardin. On stage in the background, Guilbert is depicted from the neck down, recognizable only by her trademark long black gloves. The composition is built along the diagonal of the stage and the orchestra, in the style of Japanese wood block prints that were so fashionable in Paris at the end of the 19th century. Lautrec impishly punctures the diagonal with the priapic scrolls of the instruments. Delteil 341, Wittrock P2, Adriani 9, Maitres pl. 2, Weill p. 47 no. 37, Maitres 1900 p. 49, Wine Spectator p. 49. Estimate $10,000-15,000
HENRI DE TOULOUSE-LAUTREC (1864-1901) DIVAN JAPONAIS. 1893. 31 1/4×24 1/2 inches, 82×61 cm. Ancourt, Paris. Estimate $10,000-15,000

Of special note is a rare copy of Pierre Bonnard’s groundbreaking advertisement for France Champagne, 1891, which employs a subtle color palette and flowing lettering (first illustration). The poster was a sensation, and inspired Toulouse-Lautrec to try his hand at poster design (estimate $20,000 to $30,000).

Among works by Henri de Toulouse-Lautrec are his well-known Divan Japonais, Paris, 1893, depicting his frequent subjects Jane Avril and Yvette Guilbert, visible from the neck down and identifiable by her long black gloves ($10,000 to $15,000), and Troupe de Mlle Églantine, showing Avril and three other can-can dancers, 1896 ($20,000 to $30,000); and the controversial book advertisement for Victor Joze’s Babylone d’Allemagne, 1894 ($12,000 to $18,000).

Highlights by Alphonse Mucha include his celebrated poster for Salon des Cent, from the limited deluxe edition on vellum, with the artist’s signature in pencil ($30,000 to $40,000) (second illustration); four calendar sheets featuring his images of The Seasons, 1897 ($8,000 to $12,000 for the set); and Lefèvre-Utile / Sarah Bernhardt, 1904, a glowing image of the actress endorsing LU Biscuits ($7,000 to $10,000).

Among a run of colorful and lighthearted images by Jules Cheret are Cosmydor Savon, 1891 ($3,000 to $4,000); Théâtre de l’Opéra / Carnaval, 1894 ($4,000 to $6,000); and Pastilles Géraudel, 1895 ($4,000 to $6,000).

ALPHONSE MUCHA (1860-1939) LEFÈVRE-UTILE / SARAH BERNHARDT. 1904. 27 3/4x20 1/8 inches, 70 1/2x51 cm. F. Champenois, Paris. Estimate $7,000-10,000
ALPHONSE MUCHA (1860-1939) LEFÈVRE-UTILE / SARAH BERNHARDT. 1904. 27 3/4×20 1/8 inches, 70 1/2×51 cm. F. Champenois, Paris. Estimate $7,000-10,000

The sale also contains a rare, early aviation piece, Roger Jourdain’s Aérodrome de Vichy, promoting a 1909 air show in Vichy held a month prior to the Grande Semaine d’Aviation, which has been considered the first great gathering of airmen (third illustration). Illustrated in the poster are a Wright-Ariel biplane and a Voisin biplane ($7,000 to $10,000).

American highlights include Maxfield Parrish’s poster for The Century/ Midsummer Holiday Number, depicting a young nude seated on a lawn screened by a grove of evergreens, 1897 ($2,500 to $3,500); and Evelyn Rumsey Cary’s allegorical depictions of moonlit young women in Pan-American Exposition / Buffalo, 1901 ($6,000 to $9,000); and Woman Suffrage, circa 1905 ($4,000 to $6,000).

Rounding out the sale are bicycle posters for Michelin, Liberator and Peugeot; and an assortment of Theophile-Alexandre Steinlen’s images featuring cats, among them the beloved Lait pur Stérilisé, in which cats beg at the knee of a little girl sipping milk from a bowl, Paris, 1894 ($12,000 to $18,000).

A fully illustrated color catalogue with information on bidding by mail or fax is available for $35 from Swann Galleries, Inc., 104 East 25th Street, New York, NY 10010, and may be viewed online at Swann Galleries’

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