Architect Ricardo Legorreta, who combined vibrant color with geometric shapes, dies at 80
December 31, 2011 by All Art News
Filed under Design & Architecture
MEXICO CITY.- Mexican architect Ricardo Legorreta has died at the age of 80.
Legorreta’s best-known work is Mexico City’s Camino Real hotel, which was built in 1968. He also oversaw the remodeling of Los Angeles’ Pershing Square in 1993.
The hallmark of Legorreta’s work was the use of color. He placed a 10-story purple bell tower in the middle of Pershing Square and covered the Camino Real’s front exterior walls in pink and yellow.
Mexico’s Foreign Relations Department and National Arts Council said Legorreta died Friday, but did not give the cause of death.
Legorreta continued the tradition of architect Luis Barragan, who died in 1988. Like Barragan, Legorreta used bright colors, massive solid walls, courtyards and geometric cutout windows to interact with Mexico’s abundant sunlight.
- Laureates of the Praemium Imperiale pose for photographers at a press conference in Tokyo, Japan, 18 October 2011. The Praemium Imperiale is a global arts prize awarded annually by the Japan Art Association. Five laureates are nominated in the fields of Painting, Sculpture, Architecture, Music and Theatre/Film. For its 23rd edition, the Praemium Imperiale awards have been given to US video artist Bill Viola (R), British sculptor Anish Kapoor (2-R), Mexican architect Ricardo Legorreta (C), Japanese conductor Seiji Ozawa (2-L) and British actress Judi Dench (L). EPA/FRANCK ROBICHON.
Ricardo Legorreta was Mexico’s most significant living architect. He combined the traditions of Western modernism with the building culture of his native country. Vibrant color, geometric shapes, fountains, light-filled spaces, and intimate courtyards were hallmarks of his style.
In a career spanning nearly fifty years and with more than 100 design projects to his name he created a diverse body of work. It ranges from museums and hotels to office buildings and factories, university campuses to urban spaces, as well as private residences in Mexico and abroad.
Legorreta was born in 1931 in Mexico City, where he studied architecture. After a partnership with José Villagrán, he set up his own practice.
He was a close friend of his compatriot, Luis Barragán, who first combined modernism and Mexican tradition in the 1940s and 50s. He was also influenced by the monumental concrete architecture of Louis Kahn. Influences from Mexico’s colonial period and from the Islamic world – the patios – also feature in his work.
One of his early buildings – the Camino Real Hotel Mexico City (1968) – was one of his favorites because he said it helped him discover his Mexican roots. He had become very ill, and while he was recovering created a building which is now one of his most famous.
He went on to design Montalban House in Los Angeles (1985), the Museum of Contemporary Art in Monterrey (1991) the Metropolitan Cathedral of Managua (1993), Pershing Square in Los Angeles (1993), San Antonio Main Library, Texas (1995), The Tech Museum of Innovation in San Jose, California (1998), Visual Arts Center College of Santa Fe, New Mexico, (1999), the Juarez Complex in Mexico City (2003-05), Carnegie Mellon College of Business & Computer Science in Qatar (2009), Georgetown School of Foreign Services in Qatar (2011), and many other public and private buildings, and urban spaces.
Legorreta remained an artist and designer in tune with the environment and he never forgot to design buildings for the people who use them: “Very commonly, we architects design for the elevation. I design from the inside, then I fix the elevation. I design the interior of the spaces. Interiors are architecture, it is where you live.”
In 1999 he received the Union Internationale des Architects (UIA) Gold Medal and in 2000, he became the first Latin American to receive the prestigious American Institute of Architects’ (AIA) Gold Medal, for an architect whose work has had a lasting influence on the history and practice of architecture.
What is it about Mexico that has inspired all his work? He said: “It’s the way of being of the Mexicans that has interested me, the rest – the wall, the color – are tools. The essence of this philosophy is the way of thinking and the lifestyle of Mexico.”
Legorreta worked with his youngest son, Victor. It was a collaboration he was particularly proud of, keen to pass on his expertise to the next generation. He was the first Mexican artist to receive the Praemium Imperiale.
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